Julia looking radiant on her special day.
About Me
- Holly Daise
- My love affair with fabrics and fashion started during childhood, I was encouraged by a clever mum who was always on her machine experimenting. Designing and the creative process keeps me just about sane. At the moment jewellery is my passion as; after all it is the little things in life that are truly precious. For me it its the process of making - working 30 hours a week doesn't leave much time to indulge this hobby. In the past I tended to give a lot of it away or remake once I have achieved the photo I want to make into another item. I'm now starting to sell though which is great, would be lovely to do this full time though. I am currently uploading vintage items I no longer have use for so please feel free to check out my little etsy shop: http://www.etsy.com/shop/HollyDaise
Friday, 17 October 2014
Creation of the Shrug/Cape.
Having never made one of these before it was a case of try and see. I first cut the pieces in two parts on the stand and then using thin pieces of lace from the original lace overcoat I created a scollaped effect.
This is designed to sit inside the corset attached by loops so it could be removed for the evening do.
Attached to the corset for a demure presentation at the church alter.
Keyhole effect at the back.
Creation of the Corset.
Self explanitory - making the corset.
Cut the pattern on the stand which is set to Julia's (the Bride) measurements, translate to flat fabric. Cut three of each piece from medium to heavy weight calico, cut one of each piece from top layer fabric and lining and interfacing to stiffen the structure.
Once the fit is correct make the bias binding for the piping.
Handtack the top fabric and lining to the pieces. Stitch all piping to seam edges.
Stitch pieces together, check fit and then attach piping to top edge. Insert bones.
Fold back the centre back pieces add boning to bone channels at edges. Stitch back and close piping. Insert eyelets for tight lacing and stitch around to secure. Some styles of corsets can actually flattern you out a little so I tend to add a bit of ommmpppphhh to the inside.
Julia, being a thespian opted for a dramatic blood red ribbon to match her ruby red shoes, bouquet of roses and lippy.
Here I added cut out lace lilies to cover the pollin stains and age marks on the vintage lace fabric. Created a slightly 3-d effect.
Wednesday, 15 October 2014
Skirting Around.
So this is where I make the lower half of the orignal dress into a long, floor sweeping skirt with train.
Original zipper removed, lining tacked in and tacked along top edge with a running stitch.
Darts to shape the waist. Levelling off the waist.
Waistband added and stitched in place.
Lace overlay on train added. Seperate lace flower pieces handstitched to cover up vintage pollin stains.
Original zipper removed, lining tacked in and tacked along top edge with a running stitch.
Darts to shape the waist. Levelling off the waist.
Reshaping the hemline as the original design wasn't symetrical.
Lace taken from train of the lace jacket, tacked to the back of the skirt train. Adds interest to the back train of the skirt as she walks down the isle and gives her vows at the alter.
New zipper tacked in and then stitched. Handstitched to lining and stabstitching to hold the skirt fabric in place so it doesn't drop.
Lace overlay on train added. Seperate lace flower pieces handstitched to cover up vintage pollin stains.
Glass buttons and loops add the finishing touch to the vintage inspired design.
Monday, 13 October 2014
First Cut is the Deepest!
Boy was I nervous. What a responsibility, cutting up the much loved wedding dress of a friends Mother. I had to treble check before I made the first cut that mum was sure she was okay with it. My hand literally shook when I made the first cut but luckily I didn't cut a wonky line.
Here I unpicked the zipper and marked out first where the new waist would be. Then I took my shiny, shiny shears to the fabric, layer by layer. I intended on keeping as much of the original trimmings but as the zip was not put in straight to begin with I ended up taking it out altogether and replacing it.
Here I unpicked the zipper and marked out first where the new waist would be. Then I took my shiny, shiny shears to the fabric, layer by layer. I intended on keeping as much of the original trimmings but as the zip was not put in straight to begin with I ended up taking it out altogether and replacing it.
The Design
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